Probably. Thanks to my favorite fashionable blogger from New York, the fast-becoming famous Habitually Chic, I already knew Charlotte Moss was going to be in O at Home this issue. Those of us who devour every word Habitually Chic writes, were informed by her that Charlotte's new "must see" store in NYC had been photographed by Oprah's staff. This picture of Miss Moss was snapped by none other than Habitually Chic herself at their meeting last week. In case you missed this interview, read it here.
The current O at Home is wonderful, for reasons other than Charlotte, but she is certainly the star. I'll give you a sneak peak of the bedroom featured on the cover. It's typical Charlotte and it's to die for! Enjoy.
No one does four posters better than Charlotte. Styled to utter perfection, the photograph is typical Moss, with attention paid to everything, down to the smallest detail.
My favorite shape is the urn, as in a crusty, old, concrete garden urn. I love placing urns inside the house with or without something inside of them. Another accessory I love using inside the house is garden statuary. This lady has been guarding my front window for many years. She is not an antique, but a copy of one. She is concrete, of course. I abhor all those "light weight" fake concrete items on the market today and would rather pull my back out moving real concrete than using the faux thing. My lady had been in the corner of the window for years, but recently I moved her to the middle of my window, framed softly by the silk curtains. She's much happier now that she can be easier seen.
Ok, ok, like I said, it was one of my first posts! Hopefully they got better along the way. Truthfully though, I've always liked that post because I adore the picture that accompanies it. I like the way the statue is framed in the draperies, I like the lighting, the glimpse of my tree outside the window - I was proud I had taken this picture.
And so, when I noticed that quite a few of the design bloggers were having an artist paint a special vignette, I wanted a painting too! The question became, of what? Style Court had had her newly upholstered chair immortalized, Patricia Gray chose to have a client's room painted, and online, there were renderings of pictures from design magazines that I liked. The artist behind this work is none other than Anne Harwell, aka, annechovie. Anne takes commissions for her renderings of interiors in the Mark Hampton style, but she also does exteriors or anything else you might want. If you have a special "view" you like or perhaps you have something else in mind you would like painted, Anne is more than happy to work with you to create exactly what you want. She's very pleasant to work with, sweet, kind, and most importantly patient while you make your final decision. My experience with Anne was first rate and I highly recommend her. To see all the work she has posted online, visit her Etsy store here. Below, is Anne's lovely vision of my guardian statute.
Anne, thank you so much, I adore my piece and I am most grateful to you!
A tablescape sets the mood of the city house, contemporary art work mixes with sophisticated antiques.
One end of the living room with a French antique sofa, French chairs, a whimsical collection of antique suitcases, and an antique carpet.
A larger view of the living room showing antique Fortuny draperies, antique barometer, and important contemporary art.
The sitting area of the master bedroom. Note the striped blue and white dhurri and blue and white garden seat set underneath the tea table. I love the symmetry of the mirrors and lamps on the commode between the two windows framed further out by the striped pillows.
The other side of the bedroom showing the gorgeous bed.
Texas limestone house with original tin roof set in the Hill Country. This type of architecture was popular with the German settlers who populated this part of Texas. The Hill Country is Texas' Provence.
Pale neutrals set a quiet tone in the living area. These antiques would work in the city house too. The lack of drapes in the country home gives a sparser look as compared to the cosier Houston home.
Another view of the living room. Striped pillows are the only patterned fabric. Linen fabric dresses down the French settee.
Another living area matches the mood of the other room. Love the architectural piece over the door.
French provincial commode with gold mirror. The owner had been accumulating antiques she bought in France for years in anticipation of owning a country home.
Louis XVI adds elegance to the attic styled bedroom. The owner, a single woman, hired a local landscape architect to help with the project. Apparently, he now lives in the house with her - according to Star, I mean Elle Decor magazine.
As for me, I'm unable to choose which house I prefer - I like them both too much!
Oh, look, here's a taupe check:
And here in a Houston home, Buatta uses a red check for the draperies:
Mariette Himes Gomez uses checks in the traditional way, on the back of a French fauteuil:
Someone who loves checks more than me, New York designer Jeffrey Bilhuber surprised people with his excessive use of checks in his new apartment:
Bilhuber's dining room:
Houston's Michael Siller also covered an entire room in his house with checks. Do you think he inspired Bilhuber?
Dallas designer Cathy Kincaid uses checks to line the bed's canopy.
Michael Smith is known for using this blue and white check in his designs. It shows up again and again:
Kathryn Ireland uses checks alot, also. Here she uses a dark blue check to contrast with the all white French styled bedroom:
In this vintage photograph, socialite Gloria Vanderbilt sits under one of the collages that she was famous for making. The check in the collage matches the fabric on the couch. The two matching Venetian mirrors are drop dead gorgeous! Playing next to her are her two sons. One is the famous CNN reporter: Anderson Cooper. Are you aware of what happened to the other son?
In France, checks are frequently used as a secondary fabric to toile:
Houston Designer Ginger Barber uses a check as the only pattern in an otherwise neutral room:
Interior Designer Diane Burns uses silk checks in her French styled bedroom:
A checked fabric livens up a bedside bench:
Victoria Hagan puts the check on the floor with an Elizabeth Eakin rug:
Here, Ikea gets in on the check act with it's slipcovered sofa:
And finally, here on Chelsea Edition furniture, is, of course, a Chelsea Edition check!
There's nothing more exciting to me than going to the store and seeing a new issue of a magazine I love. And I do love Southern Accents. The new issue is not to be missed. It's the 30th Anniversary issue with loads of old photos and commentary by people such as Bunny Williams, Julia Reed, Jackye Lanham and others. There's even a book review of Bunny's not yet published new one, along with a review of Axel's not yet released book. Page after page is wonderful, eye candy every one. The featured homes don't disappoint either. First is one designed by Beverly Jacomoni, a Houston favorite. This house was featured in the very under-appreciated book by Mary Emmerling, Romantic Country (a personal favorite). Also featured is Suzanne Rheinstein's home outfitted with all new fabrics from her just released Lee Jofa fabric line. Her interview is interesting and thoughtful. A third showcased home is a Dallas mansion designed by Cathy Kincaid. I know a lot of people consider Southern Accents a "regional" magazine, and it is, to the degree in that Southern designers are featured, but these southern designs should not be missed by those in other parts of the country. If you don't read the magazine, this issue may be just the one to change your mind.
A picture of the master bedroom. In the magazine, the Bennison bedspread has been replaced. I suppose it's to present a newer version of the decor, but I much prefer this spread to the new one. I love the Fortuny drapes that divide the bedroom from the sitting room. The headboard is to die for!
Here's a peek at Suzanne Rheinstein's breakfast room. The chair is slipcovered in her toile that is the highlight of her new Lee Jofa collection. In the magazine, Suzanne describes exactly how this toile came to be in her line. It's interesting, because she admits she didn't exactly design it! I love this toile and I'm on the hunt for a client willing to use it. Takers, anyone?